SENTIENT MAMMOTH PEOPLE
A BIT ABOUT ME
Mark Hruska
I’ve surface hunted for Indian artifacts since I was ten years old. I was always passionate about trying to figure out who exactly those earliest humans were that I absolutely knew were creating art on the flint knife scraper tools and other worked stone. During the winter of two thousand nine-ten a blizzard trapped me at home and alone for three days. That was the spark that I needed to delve into what turned out to be a nonstop adventure of eureka moments of discovery. After nine years of intense research it is time for the rest of the world to see what I’ve been so fortunate to exclusively see. With the development of modern technology such as the iPad pro I’ve been able to create a series of videos in an attempt to plant the existence of an enigmatic advanced Caucasian Ice Age culture into the viewers ‘mind’s eye’. I sincerely hope that it will humble them as I have been and make us all realize how arrogant we truly are when we consider the timeline of our intelligent human existence...
BOOKS
THEÂ SENTIENT MAMMOTH PEOPLE PART I
December 21st, 2017
'The Sentient Mammoth People' is a compelling description of the microlithic abstract art that was created by a civilized Caucasian culture who lived in east central Nebraska at the end of the Pleistocene epoch before the younger dryas event that caused the extinction of the large megafauna. The microlithic abstract art figurative language that's incorporated into the Mammoth People's heat treated flint prismatic flake knives and their potsherds is the latchkey that provides a window into the distant past Ice Age. It reveals the epic folklore tales that the Mammoth People conveyed to their children. The interpretations of over seventeen hundred of these microlithic abstract artwork eating utensils culminated to give their complete popular folklore tales. These stories describe their or their ancestors epic journey to the center of the North American continent from a faraway volcanic homeland. They involved a violently erupting volcano, lahars, falling through the predator ice, attacks by lurking saber-toothed cats and lions, and being raided by the Palomino Pony People warrior braves as they trekked across the plains of the North American continent in their long Mammoth People mammoth caravan. The verification of everything implied in the book is in the interpretations, a few of which are given in the book along with photos of the artwork that's being interpreted. They should give the reader a feel for how the microlithic abstract art... works.
REFLECTIONS FROM THE PLEISTOCENE: THE SENTIENT MAMMOTH PEOPLE PART II
February 24th, 2018
This book of illustrations was put together with the intent to complement the first book called The Sentient Mammoth People; Pure Microlithic Abstract Art. That book goes into great detail describing how the author figured out the Caucasian Mammoth People's Ice Age microlithic abstract art figurative language which is the 'Rosetta stone', or the 'key', that unlocks a thirteen millennial old barrier of being able to see back in time to the late Pleistocene. It does it in a way that's unprecedented because it places your 'mind's eye' in the mind's eye of the artworks' creator. The first book explains how the hunter herder microlithic abstract artist used simulacrum to create their artworks. Simulacrum is a perceived image resulting from 'pareidolia' which is the mind's tendency to recognize common shapes (especially faces) in random patterns. The Ice Age artist did this by rubbing and etching out tiny cognitive illusion images, which were often tiny fossils that are embedded in fossiliferous flint stone. The tiny fossils appear as heads and faces that would then reflect off of a close-up image which is usually the whole artwork. By rotating and turning the 'rotational change-up' artwork you move from image to image, or scene to scene, as if you were turning the pages of a storybook. The difference between that Ice Age storytelling tool and the modern two dimensional one that is used today is that it had the unique advantage of being a three dimensional one that could show statuesque imagery when viewed from one distinct angle. And in most cases, the story telling tool was also the Mammoth People child's knife scraper eating utensil. The folklore tale that dad or grandpa would create on these fantastic artwork eating utensils were of the epic trials and tribulations that they or their ancestors endured on their epic journey to 'here'. The compelling folklore tales from over seventeen hundred interpretations were pieced together until there were no additional variances. Upon the completion of outstanding artworks and its interpretation, the author would create a line sketch that was included with the artwork and its' interpretation. It's these line sketches that are in this book in the order that they were sketched over a seven year period of intense mind blowing research. They are accompanied by a description of what was figured out along the way of constant eureka moments of discovery, but unlike the lengthy amount of words that were used to describe the contents of that first book, you will learn as you advance through this book of illustrations...that a picture is indeed worth a thousand words...
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